To The Edge -2013- -flac 24-192- [upd] - Yes - Close
Remixed from original multitrack tapes and flat transfers from the original master tape. ProStudioMasters Version Breakdown
The album consists of only three tracks, each serving as a masterclass in progressive rock composition. 1. Close To The Edge (18:43)
Ultimately, the "Yes - Close To The Edge -2013- -FLAC 24-192-" file remains a definitive historical record of one of rock’s greatest achievements, bridging the warmth of 1970s analog performance with the infinite clarity of 21st-century digital engineering. If you are evaluating this specific master, let me know:
Close to the Edge Artist: Yes Release Year of this Edition: 2013 Format: FLAC (Free Lossless Audio Codec) Resolution: 24-bit / 192 kHz Yes - Close To The Edge -2013- -FLAC 24-192-
Warning: Many peer-to-peer sites will claim to have the "2013 24/192," but they often contain upsampled CD rips. A real 24/192 file will have a frequency spectrum extending beyond 22kHz (the Nyquist limit of CD). Verified spectral analysis of the legitimate 2013 release shows musical content reaching 48kHz.
If you own a revealing sound system, this 2013 release represents the closest you will ever get to sitting in the control room at Advision Studios in 1972 while Eddy Offord pulled the faders. The depth of the soundstage, the visceral impact of Squire’s bass, and the delicate air around Anderson’s voice are unmatched by any CD or streaming standard.
Jon Anderson’s layered harmonies in "And You and I" lose the "mud" often found in older pressings, sounding breathy and immediate. Noise Floor: Remixed from original multitrack tapes and flat transfers
Expands the dynamic range from 96dB to 144dB. Lowers the noise floor so quiet passages (like the morning birds at the album's open) are perfectly distinct from explosive crescendos. 192 kHz
Let’s address the elephant in the room: Is 192kHz overkill? For some albums, yes. But Close to the Edge is not "some album." It is a dense, layered tapestry of Rickenbacker bass runs, Hammond organ swells, Mellotron choirs, and Steve Howe’s acoustic arpeggios that flicker like candlelight.
Unlike the Blu-ray or DVD-A physical discs, this digital file offers the highest possible bit rate for local media servers without mechanical playback interference. 🛠️ Recommended Playback Path Close To The Edge (18:43) Ultimately, the "Yes
The "192" stands for the of 192kHz. In simple terms, this is how many times per second the analog audio wave is measured to create the digital file. A CD samples at 44.1kHz. A 192kHz sampling rate captures over four times as much sonic information, allowing for a far more detailed and accurate representation of the original analog waveforms and harmonics. While 24/192 files are larger, they are the gold standard for the ultimate listening experience.
The highlight of this 2013 release is the remixing work by Steven Wilson. Known for his work with Porcupine Tree and his meticulous remixing of classic prog albums, Wilson approached Close to the Edge with both reverence and technical prowess.
The release came in multiple physical formats, most notably a CD/Blu-ray or CD/DVD-Audio combination. The Blu-ray disc, in particular, is where the most valuable content resides for audiophiles and prog fans. Its tracklist is a treasure trove, offering multiple versions of the album in various high-resolution formats. Key content includes: